Featuring Sarah St. Vincent & Karolina Zapal
How many times can we reference the 90’s before you actually start believing that we can time travel? Are hairspray bangs enough (specifically Kirsten Dunst’s lack of them in On Becoming a God in Central Florida)? As the editorial table moves through space-time in our usual fashion, starting off in 1991, Sarah St. Vincent gives us a feeling of the WWE moments of intimacy which make, as Jason says with some Hulk Hogan gusto, YOUR BODY SING WITH PAIN! The spectacle of boxing and the compelling stillness of combat reminds Marion of Gabrielle Calvocoressi’s poetry book, “Apocalyptic Swing.” If you’re hearing the poem twice, that’s not ringing in your cauliflower ears! This episode, we take some cues from Pádraig Ó Tuama’s “Poetry Unbound” series by reading, discussing, and then reading again. Repetition, both in words and time loops, seems to be the theme here with Karolina Zapal sliding in more than a few ‘I love you’s into her poem. Calling all Grammar Slushies: What is the term for doubling up on words?
Sarah St. Vincent
Sarah St.Vincent is a human rights lawyer by day and poet by night (or very early morning). Her debut novel, Ways to Hide in Winter, was published in 2018, and she currently directs a clinic at Cornell University that provides computer security advice to domestic violence survivors. She’s originally from that swingin’-est of swing states, Pennsylvania, and lives in Brooklyn.
Sarah’s Twitter handle is @Sarah_StVincent.
Karolina Zapal is an itinerant poet, essayist, translator, and author of two books: Notes for Mid-Birth (Inside the Castle, 2019) and Polalka (Spuyten Duyvil, 2018). As an immigrant and activist writer, she writes frequently about her native Poland, languages, borders, and women’s rights. Her work has appeared in or is forthcoming from The Rumpus, Inverted Syntax, Tupelo Quarterly, The Seventh Wave, Mantis, Posit, and others. She has completed three artist residencies: Greywood Arts in Killeagh, Ireland; Brashnar Creative Project in Skopje, Macedonia; and Bridge Guard in Štúrovo, Slovakia. She works at the South Carolina Governor’s School for the Arts & Humanities.
At the Table: Jason Schneiderman, Kathleen Volk Miller, Samantha Neugebauer, Marion Wrenn, & Alex Tunney